A small roadside diner called "The Shake Shack" sits under a cloudy sky, with a giant ice cream cone sign on its roof. Two people stand near a yellow car parked in front, surrounded by open fields and a dirt lot.

For his new show, The Last Dyes, William Eggleston and his team used up the last remaining dye-transfer materials to make new prints of the iconic photographer’s work from the 1970s.

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